When Stories Hold the Hard Things: Using Books to Navigate Big Feelings
When Stories Hold the Hard
Things: Using Books to Navigate Big Feelings
By Katie Jones, Editor | The
Young Listener’s Chronicle
There is a moment every parent knows. Your child stands before you, trembling with a feeling so vast it seems to swallow them whole—a cyclone of anger, a flood of tears, a freeze of anxiety. In that moment, our instinct is to talk. To explain, to soothe, to fix. But often, words fail us. Our logic meets their storm, and neither finds a way through.
This is where a story can
become a bridge.
For generations, wise parents
and educators have used tales as tools to explore landscapes too dangerous or
complex for a child to enter alone. A story doesn’t lecture a child about fear;
it gives them a character to walk beside through a dark forest. It doesn’t
scold about selfishness; it lets them witness the loneliness of a creature who
hoards everything. In the safe territory of “once upon a time,” a child can
process the very real “here and now.”
When emotions run high,
direct confrontation often triggers defensiveness. A story provides what
psychologists call psychological distance. The problem isn’t yours, it’s the
character’s. This distance allows a child to observe, reflect, and
problem-solve without the weight of personal shame or immediate consequence.
Reading about a furious
Sophie in Sophie’s Squash by Pat Zietlow Miller (who channels her anger into
caring for a vegetable) lets a child see anger transformed. It’s not their
anger on display, so they can consider it calmly. “Sophie was so cross she could
spit!” you can say. “I wonder what that feels like in your body?” The
conversation starts sideways, and thus, more safely.
Think of your bookshelf as an
emotional toolkit. You don’t need a book for every specific scenario, but a few
well-chosen ones for core feelings can be lifesavers. Here’s how to curate for
heart as well as mind:
This requires the most
delicate touch. Look for stories that don’t offer cheap solutions but sit with
the feeling, offering comfort and hope.
The magic isn’t just in the
reading, but in the talking. When you see a character experiencing a big
feeling, pause.
Make connections: “Has there
ever been a time you felt your tummy do flip-flops like that?”
There are also times when our
own voices are tired, or a story from another voice can land differently. This
is where quality audio storytelling shines. A well-told audio story can be a
shared emotional experience in its own right. The Hocksbox universe (hocksbox.co.uk),
for instance, features stories like those from Joules Young that are crafted
with this emotional resonance in mind. Listening to The Girl Who Became
Untethered together, carried by the narrator’s voice, can create a shared,
contemplative space to just feel, without the pressure of immediate discussion.
Katie
Next time, we’ll look at the
journey beyond picture books: how to choose your first chapter book for
read-aloud, and the unique magic of stepping into a longer story together.


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